Basquiat`s „PrimitivisM“ disrobes

as Camouflage and that

„Mister Basquiat– the real one“, a travellogue exibited in the „Parkhaus“ of art association MALKASTEN, fonded 1848 in Düsseldorf, curated by Karl Heinz Rummeny and documented by Ute Janssen, co-worker of Wim Wenders in the University of Fine Arts Hamburg, 27 September 2019. by Karl Heinz Rummeny and documented by Ute Janssen, co-worker of Wim Wenders in the University of Fine Arts Hamburg, 27 September 2019.  1979 SAMO© left the recognition protocol to his method of covert communication in my diary. Prove by the evidence shown, a war tactic, a steganography [gr.] στεγανός ‚hidden‘, γραφία ‚to write’ he used. So that third party should not arouse suspicion when looking at it. Mary, Queen of Scots brought hers to the scaffold, unmasked by the code-breakers of Elizabeth I.

contradicts John Berger a.o.

the travellogue translated his work into official dialogue.

The liberal media usually very committed when it comes to racism, did not show up. Possibly a result of the keep-it-simple-and-stupid-marketing of his Swiss art dealer Bruno Bischofberger a.o.. They probably thought it is impossible, that Basquiat, the wild naiv intuitive primitivist, the graffiti painter, had been so superiorly sophisticated. Only Germany’s largest tabloid newspaper appeared and reported briefly, not in detail.