…showed himself in PARKHAUS, the Exibition Hall in the Malkastenpark supported by the cultural office of the city of Düsseldorf. Malkasten is an Art Assoziation, founded on August 6, 1848. On display seeing is believing, his act of sabotage, like his coded report on crimes against humanity. Like a Trojan horse, his works smuggle also the Congo atrocities onto the walls of art collectors and museums. The category intuitive primitivism attributed to him by his art dealers Bruno Bichschofberger and Mary Boone– was being questioned there. Result: quite the opposite. The real Mister Basquiat was discovered through a coded message from 1979, which he left in the diary of Eva Gössling, who played with the first German all Girl Punk Band Mania D. in New York.
Mister. Basquiat- the real one, a travelogue by Eva Gössling was documented by Ute Janssen, University of Fine Arts of Hamburg, where she worked with Wim Wenders. She studied with Nam June Paik in Düsseldorf. Curator: Karlheinz Rummeny.
Visitors who did not see the film from Julian Schnabel as Projected Art History (Dr. Doris Berger), but thought it was real: „Why did Basquiat fool everyone“, counter-question „who else would have bought his paintings“? His intuitive primitivism– Jeans own secret sign system©. Mary, Queen of Scots brought hers to the scaffold, unmasked by the code-breakers Elizabeth I of England. Africans in the Diaspora, IMPORTED MEAT, Basquiat Code, developed figurative speech, a verbal variant based on what they could not be robbed of, their intellectual and spiritual property©. Yet as a secret language not even recognizable to their white owners, as are the works of Basquiat. The German media could not believe it, they stayed away from the press event. Except for the Bild newspaper. Would I sell the case? The question is always asked. Either something has a dignity – or a price. Dignity? Was robbed from him by false prohets and merchandising. The suitcase remains with me and with his saliva inside.